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Looking over the Thin Man's Shoulder

Entertaining Entry into the SeriesOne complaint: For a series that I've noted before as being incredibly faithful to its source material, I was disappointed to see that Peel got one detail wrong here. Dash is identified at one point as "Dash Check" whe in the series his name was "Dash X" (he got his name from the markings on his hand which read X and -). I know, I know...no big deal but this seemed like a pretty sloppy error to me.


SkulduggeryThat said, compared to an entry like, say, Thin Air, Sci Fi, or even Inches, Skulduggery is slightly more grounded, less over-the-top than the others. We have one identified skeleton, admittedly found floating on a raft along with a collection of odd and eerie items. And, it's deliciously true that in one chapter the skeleton must be George Edward Putnam, and then in the next chapter, there's absolutely no way it could be George Edward Putnam. And back again. Plus, of course, we have Detective Auden off on his own, investigating an impossible crime: people riding an elevator in an apartment complex are being mugged when the elevator door opens on the third floor and a vicious assailant swoops in and attacks; just one problem...the elevator door absolutely does not open on the third floor. There are also the trials and tribulations of Det. Spencer, staked out in the back of a foreign-currency exchange, trying to nab the "Deaf and Dumb" gang of robbers, who only seem destined to come in and wreak havoc when Spencer is completely ill-prepared (Spencer is engrossed in reading material that prompts serious thought about a career switch-over to the exciting world of finance, or has disassembled his shotgun and lost a piece just when robbers flounce in; these things happen...). So. Okay. It's still all a bit crazy.
But the resolutions are, as usual with Marshall, satisfying and tidy and even fair to clue-hunters. True, the novel, like all Yellowthread Streeters I've sampled, does, in an attempt to generate satire, descend to the level of a sitcom very often; Auden's shtick this episode is to decide he is a master detective at the level of Poirot, once he begins to dope out the whole impossible elevator crime, and he gets a bit pompous about his place in the squadroom. This likely would not carry through to the next novel, in the same way sitcoms deal with aspects of character for half an hour and then feel free to drop it in favour of new absurdity. And when Spencer spars with sanctimonious money-changer Lee, the cyclical dialogue is definitely played for laughs, as Lee, equipped with razor-sharp tongue and a political stance that is not sympathetic to cops, just can't believe how completely incompetent Det. Spencer is.
Meanwhile, back at the ranch, Detective Chief Inspector Harry Feiffer, frequent star of William Marshall's Yellowthread show, collects nothing but contradictory clues about the skeleton of impossibly-dead, impossibly-alive George Edward Putnam.
Don't read any William Marshall series mystery to watch the regulars--Feiffer, Auden, Spencer, O'Yee--grow over time as characters. But they do stay in character, and they work on some pretty facsinating cases, like what goes on in Skulduggery. There's also Marshall's unique style to contend with--lots of exclamation points, fragmented dialogue, unfinished thoughts (as the reader gets to try and figure out what has stumped the detective having a brainlock), short verbal interchanges of repetitive wordage (again, the reader knows something is being emphasized through all the frenzied chatter, and must figure out what), but William Marshall is definitely an acquired taste delightfully acquired.
Great fun again.


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Literature meets the great outdoors

Do-be-do-be-do

Hi level RAND study for those in the right position

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